I never loved Michelangelo Antonioni got a good alibi for the night he died.
course I appreciated his skills as a creator of images, images from director-architect, from director-painter, but I always suspected that beneath the elegance of his shots perfect 2D not 3D pulsating life but to its reduction to formulas by weekly custom of 'lack of communication , of' bourgeois alienation etcetera etcetera etcetera.
His films I have always seemed "fashionable" in the sense of the term outside and I think that to understand Italy and west of the '50s, '60s, '70s works are less suitable if you do not want to stop the housing.
be true, as Wilde said that only superficial people do not judge by appearances but I would not trade a movie I laughed with all the filmography of the late master.
course I appreciated his skills as a creator of images, images from director-architect, from director-painter, but I always suspected that beneath the elegance of his shots perfect 2D not 3D pulsating life but to its reduction to formulas by weekly custom of 'lack of communication , of' bourgeois alienation etcetera etcetera etcetera.
His films I have always seemed "fashionable" in the sense of the term outside and I think that to understand Italy and west of the '50s, '60s, '70s works are less suitable if you do not want to stop the housing.
be true, as Wilde said that only superficial people do not judge by appearances but I would not trade a movie I laughed with all the filmography of the late master.
This is obviously just my modest opinion, but recently, thanks to the Minimum Fax, I found that I share with an excellent and authoritative company: Charlie Chaplin.
I think it was more true to what the vast Flaiano Antonioni wrote, undeservedly, for another fresh disappeared as Ingmar Bergman: "SILENCE ALL FOR NOTHING."
PS And my beloved clippings? While I do not like Antonioni revered Jane Birkin and on the wall above my bed is attached to this year's picture scene from Blow-up (source: L'Espresso "color" No. 4 April 30, 1967). Perhaps my sexual urges were more "fashionable" to me.
I think it was more true to what the vast Flaiano Antonioni wrote, undeservedly, for another fresh disappeared as Ingmar Bergman: "SILENCE ALL FOR NOTHING."
PS And my beloved clippings? While I do not like Antonioni revered Jane Birkin and on the wall above my bed is attached to this year's picture scene from Blow-up (source: L'Espresso "color" No. 4 April 30, 1967). Perhaps my sexual urges were more "fashionable" to me.
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